I film it, I edit it, I give it proper attention.
I am Andrew, based in Kirkcaldy. I personally film and edit every wedding. Clear planning behind the scenes means nothing important gets missed, while I stay focused on the day itself and the film I am making from it.
A phone and a GoPro, then a business.
I filmed my first wedding at 19, at Rusacks in St Andrews, overlooking the 18th hole on the Old Course. The feedback continues to be outstanding - see for yourself on the reviews page - but at 19 I had no concept of this being a real career, so I carried on making content and left it there for years.
Around 2020 I decided to actually pursue it. I put a post on Facebook asking if anyone needed their wedding filmed. A photographer friend, Gav Wilson, got in touch, and I shot my first booked wedding on a phone and a GoPro. The colour grading was rough and the quality wasn't great, and the couple loved every second of it anyway. That was enough to keep going.
It grew from there: better kit, nicer venues, more trust. Here's that very first one, if you want to see where this actually started.
The filmmaker you book is the filmmaker standing quietly at the back.
It's all me, on every wedding I film - I don't use a second shooter. I also book a limited number of weddings a year, because the day is the short part and the edit is the long one, and that does not scale, and I would rather turn work down than deliver something late or thin.
There's a real difference between a videographer and a content creator, and it isn't just the camera. I can be right beside you or right across the room and get the same quality either way, so you get to actually be at your own wedding rather than working around a camera.
I don't work from templates and I don't direct anyone. I do overshoot, usually close to a terabyte a wedding. A couple of friends have started calling me "BBC" for it, the clean version. I'll take it.
We start with a relaxed chat about who you are, how you met, and what matters most. No sales pitch, just me getting to know you, so every creative decision is rooted in your story.
I'm the sort of person who'd be late to my own funeral, but not to a wedding: I'm there about an hour early. Setting up for the ceremony is the most stressful part of my day, and I want it done before anyone arrives. Then I find the two of you, get you settled on camera, and catch some footage while the morning's still quiet. Five cameras, a documentary eye, zero intrusion, and as much positive energy as I can bring.
The part nobody sees, and where most of your money actually goes: ingest, syncing five cameras, colour grading, mastering the audio so you can hear every word of the vows.
At Lindsay and Andy's wedding in Sorrento, two blended families became one, and their kids stood up and said so.
Each of the children spoke, close to their teenage years, warmly and honestly about both parents. Wedding speeches move me often. That one still does.
Honestly, outside weddings and corporate work, this consumes most of my time right now. What's left goes to Megan, my other half - she's a bridal hairdresser herself with over 5k followers on Instagram, so if you need bridal hair on the day, she's worth checking out - and to my nephew Harry, six years old, a handful, and growing up far too fast. I used to play football before this became the job; these days it's more a good walk, seeing more of Scotland, music, and travel when I get the chance. I'm neurodiverse and proud of it, and you'll find me on social media making silly videos and not taking any of it too seriously. We only get one shot at this, and I try to put that into everything I do.
The couples who told me they would be terrible on camera are in the films on this site, and you cannot tell which ones they are.
There is one of me, not a crew. I do not do shot lists, I do not pose anyone, and I will not stop your day to set something up.